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Showing posts sorted by date for query Woodland artists. Sort by relevance Show all posts
Showing posts sorted by date for query Woodland artists. Sort by relevance Show all posts

Saturday, August 26, 2023

 

Teachings from the Tree of Life, part 2: "The Hawk and the Owls: A Vision of Healing"

Originally published: Onaabani-giizis (Crusty Snow Moon; March 31, 2017)

Republished: Manoominike-giizis (Ricing Moon) (August 26, 2023)


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The Dream Visitors pastel painting by Zhaawano Giizhik


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The Tree of Life and how to Find the Branch Toward Self-discovery

"Our spiritual path was designed way before we were born on Mother Earth; many times you'll be tested and many times you'll fail. "Spiritual Paths" or "The Tree Of Life" is a simple teaching to understand and all you need to do is to take a good look at yourself and see what you truly need. When we try to get things that our neighbors have, this is where our Spiritual Path and design gets confused and ultimately fail. This is where people get confused and create problems in their life.  When confusion sets into your life, you have the ability to choose another branch from the tree of life and follow that branch toward discovery. When you stand back and take a good look, you have so many branches to choose from....During our life here on earth we must, again and again, return to the tree trunk and choose another branch to follow. We must continue doing that until we get to the top of the tree. Once there, when we become grandparents, we must share the lessons and teachings learned - and share them to others around us. Eventually, we will become a teacher ourselves..."*

- (Slightly adapted) quotes by Wikwemikong Anishinaabe Medicine Painter James Mishibinijima.

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Boozhoo, aaniin!

Welcome to part 2 of my blog series titled Teachings from the Tree of Life, in which I connect the storytelling art of myself and kindred artists with an old Teaching based on the ancient Anishinaabe spiritual/philosophical principle of mino-bimaadiziwin that countless generations of ancestors handed down to us from the time they still lived in the old homeland along the Atlantic coast. The story that I tell today features artwork by the late Miskwaabik Animikii, the Father of the Native Woodland Art and myself.

Today's Teaching focuses on a lesson inspired by a vision that a friend of mine, whose family is originally from Gete-gitigaaning (Lac Vieux Desert Indian Reservation), recently shared with me. Like all Tree of Life Teachings, the healing message that lies hidden in my friend's vision is in itself easy to understand - that is, if we choose to open up to it. The hard part, however, is to follow it...

Last night, in the early morning around 3 am a good and trusted friend (I call her Misaabe) woke up as she heard her grandchild cry! She went in his room, held him, and rocked him. Then laid him back down and as she was walking away she heard wings. My friend looked outside and there, in the tree in the front of her house, was a hawk sitting on a branch flanked by two owls. (It was the same hawk that my friend had seen many times in her dreams and she has always associated me with it.) The owls were looking right at her; as she said to them "talk to me," she heard many different languages that she could not understand. My friend told me about this vision and asked me what I make of it.

The following is about healing from having been treated badly by someone of our People who is damaged and needs healing herself. What my friend saw last night makes visible what i saw in my head and felt in my heart earlier on tonight. This is about healing from the way some of our loved ones, who belong to our own People, treat us. There is a very strong healing message in what my friend saw last night. This is how I see it.

I have heard that Gekek, the hawk and Gookooko'oo the owl both offer a window onto the old, old Ojibwe Anishinaabe world in terms of cyclic and cosmic relationships. To our ancestors, Gekek with his sharp vision was an epitome of the virtues of deliberation and foresight. Gookooko'oo, the owl, and the magic sounds (s)he makes at night, have always presented a double mirror to us. Owl displays the forces of both life and death. As a being who mediates between the domains of giizhig (sky), aki (earth) and nibi (the water) and their respective underworlds, (s)he symbolizes light and dark, the natural and the supernatural. (S)he stands for mental therapy and wholeness. (S)he heralds spring season and along with it, regeneration and new life. 

So the way I see it, just like the seeds in the rattle of the Midewiwin healer that, when shaken, acoustically ward off evil spirits, the two Gookooko'oog that my friend saw dispel the evil spirit that others project on my friend and me. Like the sound of the rattle, the presence and the voice of Gookooko'oo dispel sickness and the evil spirits that cause mental suffering. My friend's family members, what they did and still are doing to her. What someone, someone of our People whom I loved and trusted and whom I thought was my soulmate for life did and still tries to do to me. The hawk, my friend and I both know what his role is; Gekek has visited her repeatedly in her dreams and we know that he is a messenger from the spirit world who relates stories and messages to us about past lives and our role and position in our present lives here on aki. The owls flanking Gekek the hawk, they bring insight and healing.

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The Dream Visitors, detail of pastel panting by Zhaawano Giizhik
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Tonight, minutes before my friend related to me her vision of the hawk and the owls, I happened to see very clearly the manipulative game the person who for the past seven years was, or pretended to be, my friend and life partner has been playing, and is still playing, with me. The owls that appeared in my friend's vision show me the contradictions in this person's nature and behavior - which, I have no doubt, are caused by the traumas the Europeans and their "educative" system inflicted on many generations of our People. At the same time, the owls bring us clarity and, in the long run, healing. I see it clearly now: the person who betrayed me meant the world to me for seven years; I still care for her and I know it will take me another 7 years to get over the loss of this once so beautiful friendship. 

It is going to be a slow process. I know now I must not rush it. The owls my good friend saw on the tree branch and who spoke to her in a strange language (I figure it must have been a forgotten language that our ancestors' ancestors spoke): they try to tell us something. The message is this: it is of no use to try to heal the wounds that others, the damaged ones, have caused us, and the hurt and pain they inflict on us, in a speedy way. It doesn't work that way. We will have to mourn and mend our wounds in our own pace. The damage caused by the breakdown of the intimate relationship we used to have with the wrongdoer is internal and goes deep; it goes to the heart of who we are. We will have to find back our worth for ourselves, within ourselves and focus on filling our own void and replacing our anger without hanging on to a past friendship that proved to be an illusion anyway. We must ban anger from our hearts, and replace it for positive values like self-respect, compassion, and generosity. We must learn to listen to the wounded person inside us. We must find the root of the plant of negativity and evil that the other person planted in us, and only when we find it and recognize and understand someone else planted it there and it doesn't belong in the soil of our soul, the suffering will lessen. 

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Vision of the Hawk painting by Zhaawano Giizhik

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This is the hardest part and cannot be done overnight. We must, metaphorically speaking, return to the tree trunk and choose another branch to follow. The hawk will fly again but the owls tell her to take time to heal. 

Giiwenh. This is how i interpret the vision that my friend had last night. Her ancestors spoke to her, trough the owls.

Miigwech gibizindaw noongom mii dash gidaadizookoon. Thank you for listening to my story today. Giga-waabamin wayiiba, I hope to see you again soon.

*Excerpt from Mishmountains Blogspot, "Teachings to the Tree Of Life."

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Illustrations: 

Bawaaganag ("The Dream Visitors"). Pastel panting by Zhaawano Giizhik © 2023 Zhaawano Giizhik. 

Gekek Izhinamowin ("Vision of the Hawk") © 2023 Zhaawano Giizhik. 

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Zhaawano Giizhik at Agawa Rock


About the author/artist and his inspiration

Zhaawano Giizhik , an American currently living in the Netherlands, was born in 1959 in North Carolina, USA. Zhaawano has Anishinaabe blood running through his veins; the doodem of his ancestors from Baawitigong (Sault Ste. Marie, Upper Michigan) is Waabizheshi, Marten. As a writer and a (non-commercial) artist and  jewelry designer, Zhaawano draws on the oral and pictorial traditions of his ancestors. For this he calls on his manidoo-minjimandamowin, or 'Spirit Memory'; which means he tries to remember the knowledge and the lessons of his ancestors. In doing so he sometimes works together with kindred artists.

To Zhaawano's ancestors the MAZINAAJIMOWIN or ‘pictorial spirit writings’ - which are rich with symbolism and have been painted throughout history on rocks and etched on other sacred items such as copper and slate, birch bark and animal hide - were a form of spiritual as well as educational communication that gave structure and meaning to the cosmos that they felt they were an integral part of. 

Many of these sacred pictographs or petroforms – some of which are many, many  generations old - hide in sacred locations where the manidoog (spirits) reside, particularly in those mystic places near the lake's coastlines where the sky, the earth, the water, the underground and the underwater meet.

The way Zhaawano understands it, it is in these sacred places invisible to the ordinary, waking eye that his design and storyteller's inspiration originate from.

Monday, July 31, 2023

Teachings from the Tree of Life: Looking into the Healing Mirror

 

Teachings from the Tree of Life, part 1: "Looking into the Healing Mirror"

Published: Miini-giizis (Blueberry Moon) ( (July 31, 2023) 

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The Healing Mirror, Woodland Art painting by Zhaawano Giizhik

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"When confusion sets into your life, you have the ability to choose another branch from the tree of life and follow that branch towards discovery. When you stand back and take a good look, you have so many branches to choose from."*

- James Mishibinijima (painter)

"Sometimes the most painful lessons in life are delivered by someone masquarading as a soulmate."

- Steve Maraboli (writer)

"Intimate relationships are perilous because of the exposure and lack of control they involve. Being seriously wronged is a constant possibility, and anger, therefore, a constant and profoundly human temptation. If vulnerability is a necessary consequence of giving love its proper value, then grief is often right and valuable. It does not follow, however, that anger is so."**

- Martha Nussbaum, philosopher

“I imagine one of the reasons people cling to their hate so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”

- James Baldwin, writer

"We have two brains: the one in your head and one in your heart. We as Nehiyawak (Plains Cree) think from the heart. The Mooniyaw (white man) speaks from the brain because of the education system, and we were taught that way in Residential School. But everyone is capable of thinking from the heart. The idea is to move that person from the head back to the heart."

- Patrick Buffalo, horse therapist

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Boozhoo, aaniin!

Welcome to part 1 of my blog series titled Teachings from the Tree of Life, in which I connect the storytelling art of myself and kindred artists with an old Teaching that has been passed down to us by countless generations of ancestors, from the time the Anishinaabe Peoples still lived in the old Dawn Land along the borders of the Atlantic Ocean. The story that I tell today is a retelling of an account that I originally published in March 2017, when I was still caught - or rather, strangled - in a passionate but also problematic relationship. The story features a painting, which is a recent version of a painting that I did in 2012, titled Wenabozho and the Storytellers' Mirror. This painting marked the beginning of a fruitful, 4-year lasting artistic collaboration with painter artist Simone McLeod, originally from Pasqua Nation in Saskatchewan. 

Countless tales have been spun around the mystery of the Storyteller's Mirror, and although the relationship (and collaboration) have come to an end, the stories continue to grow... 

Today's Teaching focuses on dealing with abusive relationships and broken friendships and the pain that comes of breached trust, a trauma that can forever change a person's life.

In some relationships, hurting the other becomes a person's habit. It's poison, it kills. When one soulmate destroys the other because their inner child is broken, it emotionally hollows out the one who is betrayed and left behind. The damage caused by the breakdown of the once intimate relationship is internal and goes deep; it goes to the very core of who we are. The betrayal literally kills the universe of the person who is being betrayed. It literally kills that person. The one who does the killing is only able to feel their their own pain and moves on without feeling remorse about what they did to the other who had initially put all their heart and trust and faith in her/him.

I genuinely believe that a partner constantly finding fault in their soulmate and systematically projecting their negativity and narcissistic victim syndrome on the other, destroys much more than just his/her heart. Traumas and syndromes cause more traumas and syndromes, and it has serious Universal implications. The pain and the hurt caused by this type of relational abuse hurts our People at large and every living thing in nature and the harmful effects reverberate and leave scars throughout all of the Universe.

How can we heal the trauma? Will we, as individuals and as a collective, ever be able to heal the scars? How do we detoxify and purify our tattered minds and spirits and find back the Way to the Heart?

Let's have a closer look at the (Greek) word "trauma."

The literal meaning of the word trauma is "wound."

We must find ways to put balm on the wound that keeps causing such great pain. I believe ceremony can be the balm on the wound.

Confucius said: To put the world right in order, we must first put the nation in order; to put the nation in order, we must first put the family in order; to put the family in order, we must first cultivate our personal life; we must first set our hearts right.

With that in mind, I believe that what is needed to set our hearts straight is to, individually as well as collectively, understand our original purpose and responsibility to Gookomishinaan, our Mother Earth. But before we can reach this basic understanding, in order to heal a traumatized mind, a sense of belonging has to be established in our hearts. Our ceremonies, which aim at (re)creating this sense of belonging, trigger this process, are the binding psychological factor in this process of reconnection with the earth. The healing does not lie in abstract ideas about Gookomishinaan. It lies in econnecting with family of past and present. Healing is a step-by-step process, and we must begin somewhere. It starts with ceremony.  We must first put balm on the wound. Ceremony, and our storytelling traditions, are the balm on the wound.

And let's not forget our language. The importance of knowing or at least having a basic understanding of anishinaabemowin is often underestimated. Without it there is no true understanding of our stories and ceremonies. Without our stories and ceremonies there is no healing. Without healing there is no true understanding of our original purpose and responsibility to mother earth.

When asked about his first steps on the Traditional Path that had been blazed by his ancestors, Anishinaabe Elder David Courchene/Niigaani Aki Inini from Sagkeeng First Nation reserve, a spiritual teacher and founder of the Turtle Lodge, answered that in his late-adolescent years he had the foresight to turn to ookomisan (a grandmother). She saw right through him and said to him:

"You have a lot of anger in you, and that is not the way to live. With anger, you will darken your heart, and you will poison your blood. We want you to have a free spirit, but that spirit has to be grounded with values that make you a good human being. So we will begin by taking you to the beginning."

David was in his early 20s when he took his first step into a Sweat Lodge.

"(Going to a Sweat Lodge) was the beginning of my journey," he says. "It was the beginning of knowing who I was."

To me, David Courchene's testimony is a beautiful example of the importance of returning to the ancient lessons and ceremonies of the gete-ayaa'ag, the ones who walked the land before us. We, as individuals as well as People, are in dire need of the healing mirrors that were passed on to us through storytelling and ceremony and through our language, now more than ever. We must set our hearts right and we must find the right ways to do this. There is much to be learned from our Elder Persons who are still among us and who survived many battles and storms in their own lives. We must be strong.

I must be strong.

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*Excerpt from Mishmountains Blogspot, "Teachings from the Tree Of Life."

**Excerpt from Brain Pickings. Philosopher Martha Nussbaum on Anger, Forgiveness, the Emotional Machinery of Trust, and the Only Fruitful Response to Betrayal in Intimate Relationships.

Illustration: "The Healing Mirror," ©2023, Zhaawano Giizhik

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Zhaawano Giizhik at Agawa Rock


About the author/artist and his inspiration

Zhaawano Giizhik , an American currently living in the Netherlands, was born in 1959 in North Carolina, USA. Zhaawano has Anishinaabe blood running through his veins; the doodem of his ancestors from Baawitigong (Sault Ste. Marie, Upper Michigan) is Waabizheshi, Marten. As a writer and a (non-commercial) artist and  jewelry designer, Zhaawano draws on the oral and pictorial traditions of his ancestors. For this he calls on his manidoo-minjimandamowin, or 'Spirit Memory'; which means he tries to remember the knowledge and the lessons of his ancestors. In doing so he sometimes works together with kindred artists.

To Zhaawano's ancestors the MAZINAAJIMOWIN or ‘pictorial spirit writings’ - which are rich with symbolism and have been painted throughout history on rocks and etched on other sacred items such as copper and slate, birch bark and animal hide - were a form of spiritual as well as educational communication that gave structure and meaning to the cosmos that they felt they were an integral part of. 

Many of these sacred pictographs or petroforms – some of which are many, many  generations old - hide in sacred locations where the manidoog (spirits) reside, particularly in those mystic places near the lake's coastlines where the sky, the earth, the water, the underground and the underwater meet.

The way Zhaawano understands it, it is in these sacred places invisible to the ordinary, waking eye that his design and storyteller's inspiration originate from.



Thursday, December 1, 2022

Love Stories from the Land of Many Lakes, part 19: Yellow Star Woman's Dream Vision

Yellow Star Woman's Dream Vision

Manidoo-Giizisoons (Little Spirit Moon), December 1, 2022

Updated: Iskigamizige-giizis (Boiling Sap Moon), April 2, 2023


Nookomis Dibewagendamowin (Moon's Reflection) Woodland art painting by Zhaawano Giizhik


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A magic dream vision tale about love and separation. Two beings , living apart, one from the earth and the other from the sky. Shone upon by the light of the Universe, their sacred union reflected by the glow of the stars above, their love is distant yet remains strong...

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Boozhoo! Biindigen miinawaa nindaadizooke wigamigong; enji-zaagi'iding miinawaa gikendaasong. Ningad-aadizooke noongom giizhigad! Hello! Welcome back in my Storytelling Lodge where there is love and learning. Let’s tell a zaagi'idiwin aadizookaan (sacred love story) today!

This blog tale is another episode, the 19th already in a series named “Love Stories from the Land of Many Lakes.” The series features love tales and teaching stories that encompass the unique worldview and cultural perspective of the Anishinaabeg Peoples.

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Part 1: The First Dream


 ~~ A STORY ABOUT LOVE AND SEPARATION ~~

 The story I will tell you today is a semi autobiographic narrative, braided with strands of traditional Ojibwe story elements and personal dream vision experience, about a starry-eyed woman from Bkejwanong,² the Land Where the Waters Divide. Her name is Ozaawi'anang (Yellow Star).

Once upon a time Ozaawi'anang, lying on the top of a bluff,  had a vision-dream. In this vision-dream it was night. She stood erect, holding a copper pail. Inside was a great gift: mide waaboo, the sacred water. Ozaawi'anang stood there all night, singing prayers for nibi, the spirit of the water. Then she directed her gaze to waawiyezi-dibik-giizis, the full moon, who shone straight above her. The moon was so big and full that she could touch it! In the moon, she saw a reflection of a snapping turtle with thirteen moons on its back and of herself, paddling a wiigwaasi-jiimaan (birchbark canoe) across the great galaxy.

The canoe took her westward across the great sky, and after a long journey - that to her seemed to last only a few eye-blinks - it hovered above a large bay, called Animikii-wiikwedong, the Bay of the Thunder. Slowly her canoe was lowered until it touched water.

As she crossed the bay, she saw a large body of stone emerge from the moonlit waves. It was the body of a giant manidoo (spirit) who once lived among the stars, and who had lain dormant in the bay for many winters and summers. His name was Nibaad Misaabe (Sleeping Giant). Their eyes met and a fire was lit in their hearts. It was love at first sight…

Since Ozaawi'anang now lived in the sky, she and the Giant only met for a short period of time. Although their times together were brief, her beauty touched him in unspeakable ways; words fall short to express what this stone manidoo felt for her! Only the moon and the stars high above understood the depth of the love that lived in their hearts and the scope of the feelings that these two beings harbored for each other. Only he moon and the stars saw how hard it was for them to be separated by time and distance. As she was a star born on the earth and he a star being that had been changed into rock, they complemented each other in more than one way. They were stars in each other's eyes, bonded together, yet it felt sometimes as if beyond each other's grasp...

At last, knowing that her home was in the sky, Ozaawi'anang bade her lover giga-waabamin miinawaa (“I will see you again”) and, ascending back to her celestial abode and with tears in her eyes, she sang a sacred song of parting:³

Dibishkoo biidaanakwag, wiingii abi-ezhaa

Dibishkoo waabaanakwag, aabiji-maajaa.

Ningashkendam wiingaa abi-izhaad

Nimgashkendam wiingaa ago-maajaad.

Ningii magawig

ningaa abi naanig ina?

Wiinaagozi dibishkoo anang

Wiiwaasa wendaagozi dibishkoo anang.


("Like a cloud has he come and gone

Like a cloud drifted away forever.

Sad am I since he came

Sad am I since he's gone.

Now he has found my love

Will he return for my love?

Like a star in my eyes

Like a star beyond my grasp, my love.")


Although, sadly, the relationship between the two lovers did not last on aki, the earth, now the tale of Ozaawi'anang and the Sleeping Giant lives on forever among anangoog, the stars high above…

Giiwenh. So goes the tale about the love that the stone giant of the Deep Sea called Gichigami (Lake Superior) felt for a beautiful woman who came from far and touched his heart before she returned to her home in the sky ...so goes the song sung by this brave woman who felt sad because she and her lover lived far apart...

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Sky Woman's Vision Woodland Art painting by Zhaawano Giizhik

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Part 2: The Second Dream


 ~~ A STORY ABOUT BIRTH AND RECREATION ~~


Nine moons later but at the same time many, many strings of lives in the past, Ozaawi'anang had another dream vision. This was in the era of Dawn when the earth was still young. In this dream she lived in the sky. It was there where she conceived two children, a twin brother and sister. Although evil tongues said it was a Thunderbird who had impregnated her, she was pretty sure the Sleeping Giant himself was their father! She put the babies, carefully wrapped in bundles, in her sky canoe and just as she was about to lower it to the Bay of Thunder to find their father and tell him the news, she saw to her horror that the world below her was inundated with water. The earth had been entirely flooded! Even the Stone Giant had disappeared beneath the lake’s surface! A Thunderbird hovered over the bay, casting down lightning and creating thunder by flapping its gigantic wings. The waves beneath her were roaring, the wind howling, and the lightning was flashing in every direction. The horrendous head of the Great Underwater Sprit emerged from the waves and its tail covered with copper scales slashed around as in a frenzy! Ozaawi'anang’s canoe was rocking back and forth violently. In her struggle to keep her canoe from capsizing she offered tobacco to the waters. Then she sang a magic song.

Heya-way-whe- H’ya-whe-yawhe-yaw!

Jiigewe’am naawij, nagawawin jiimaan,

Heya-way-whe- H’ya-whe-yawhe-yaw!

Bimaawadaaso wiijiiw giigoonh,

Heya-way-whe- H’ya-whe-yawhe-yaw!

Megwe digowag, megwa anwaatin ge

Heya-way-whe- H’ya-whe-yawhe-yaw!

Nindasemaake, heya-wya-whe.

Asemaa binidee-eshkaage.

Asemaa biininenamishkaage.

Asemaa bizaande-eshkaage.

Nagamowin nibi nagamon,

Wiikwedong nagamawin nagamon,

Heya-way-whe- H’ya-whe-yawhe-yaw!

Heya-wya-whe.

 

("Heya-way-whe- H’ya-whe-yawhe-yaw!

 Paddling along in my canoe,

Heya-way-whe- H’ya-whe-yawhe-yaw!

Traveling along with the fishes,

Heya-way-whe- H’ya-whe-yawhe-yaw!

Among the waves, in calm waters too

Heya-way-whe- H’ya-whe-yawhe-yaw!

Offering tobacco, heya-wya-whe.

Tobacco cleanses hearts.

Tobacco cleanses minds.

Tobacco brings peace.

Singing my water song,

At the bay singing my song,

Heya-way-whe- H’ya-whe-yawhe-yaw!

Heya-wya-whe. ")

 

The moment her clear voice stopped sounding above the rage of the storm, the great black shadow that was the Thunderbird disappeared to the west. The Underwater Cat, appeased by Ozaawi'anang’s tobacco offering, dove back under and the surface of the flooded bay regained its calm. The moon and the stars cast their peaceful light on the waves, and the world, covered by a thick blanket of water, was silent again…

Ozaawi'anang looked around her to see if there was any life moving about. Then she noticed that to the southeast a giant turtle floated on the water surface. Only a few land animals had managed to find refuge on its back! Looking for a haven where she could nourish and raise the twins she had brought along from her abode in the sky, she steered her canoe toward the turtle shell. This is where she met Maang (the loon), Amik (the beaver), Nigig (the otter), and Wajashk (the little muskrat), who told her that they were the only survivors. All the other animals had been drowned!
 
That day, long ago,
Ozaawi'anang spoke to her new friends as follows: “My relatives! I don't have all the powers of creation. But I am a female spirit and I have a special gift. I have the power to recreate. I can recreate the world, but I can't do it by myself. I need your help. I need you to dive deep. I need you to bring me a handful of the soil of the original land. The soil will be the seed I use to recreate the Earth.”
 
And so it happened. All day long the animals took turns trying to reach the soil covered by the great depth of water but to no avail. At the end of the day, it was only Wazhashk the little muskrat, not used to swimming in deep water, who had not given it a try. The brave little animal decided that with no one else available to help it was up to him to do the job. He took many deep breaths and dived down and down.
 
As he finally came back to the surface, Wazhashk had clutched in his paw the soil from the bottom of the flooded land. Gratefully
Ozaawi'anang, still dreaming, took the soil, dried it, and breathed life into it, then rubbed it on the turtle's back. She rubbed the soil round and round and as she did, an island took shape above the water. Ozaawi'anang continued to move over the new soil. She walked in wider and wider circles; it took her 14 summers to complete the job! And so, the New Earth was created.


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Woodland Art painting Bear Spirit Meets the Twin Halfway the Cedar Tree

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Once the new island was complete and a new flora and fauna had emerged, Ozaawi'anang put on her yellow jingle dress and danced upward, through the hole in the sky toward to the moon, who, as she still shone high up in the night sky, had witnessed the recreation of the land. Suddenly, without a sound, a tall giizhikaatig (cedar tree) grew out of the soil beneath her and its tip pushed swiftly through the sky layers. Keeping the bundles safely in her arms she  descended, still dancing, through the hole in the sky onto the newly-formed island,  and as she carefully positioned the twins on a bed of eagle feathers resting on the giizhik aniibiishan (cedar foliage) of a branch that grew halfway out of the tree she noticed how a makade-noozhe-makwa (black female bear) travelled through all four layers of the earth and, once she had reached the surface, started to climb the tree!  Quickly the bear climbed into her direction! As soon as she had reached the tree branch, she picked up the bundles and, holding them tenderly in her paws, she descended and lowered them to the ground! 

Dancing, she chanted a sacred song:

“Heya~ya~he

Heya~ya~he

Heya~whe~yawhe~yaw.

Heya~ya~he.

Heya~ya~he.

Heya~whe~yawhe~yaw!

From up above I come, leaving footprints in the sky.

Mystic-like I come forth!

From the hollow of the earth you emerged, leaving footprints in the soil.

Mystic-like you come forth!

Watched from above by Ozaawi'anang the bear spirit nurtured the twins to manhood and womanhood. She also built the first Medicine Lodge that was ever erected on Turtle Island, and it was in this Lodge where, many generations later, Wiininwaa ("Nourish From the Breast") would be born. She would become the mother of Wenabozho, the beloved Elder Brother and benefactor of the descendants of Ozaawi'anang's children! 

Once Ozaawi'anang knew that her children (whom she named Anishinaabeg, “Beings Born from Spirit”) were mature enough to stand on their own legs, she bade them giga-waabamin miinawaa (“I will see you again”) and descended back into the bay and paddled her canoe in northwestern direction where she had last seen the Sleeping Giant. As soon as she reached the bay of Thunder, she saw to her relief that her old-time lover cast his huge shadow across the water like he had done before the flood had hit the land. Once again, they lay together, united, even though if it was only for a moment...


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Wiindigoo Creating the Ice Poles Woodland art painting

"Straight through the void of space from the stars the Wiindigoo came, moving through the earth to stabilize the tumbling, holding the Earth's poles constant. From that day on the Wiindigoog were gifted the gift of ice for holding the actual poles of the earth! This event marked the creation of biboon (winter) and the beginning of the Anishinaabe calendar, and from that moment on the cycle of the seasons started at the full moon when the sucker fish spawn..."
Image: "Wiindigoo and the Creation of the Ice Poles" © 2023 Zhaawano Giizhik

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Still dreaming, Ozaawi'anang had visions of many sacred things and events. Her dream was as vast as anangokwaan (the galaxy) and the visions she had were as numerous as the stars that filled it.  She saw how the bear, added by Animoosh, the dog, looked after the twins, nurturing them throughout their infant years.  She saw how Elder Brother Wenabozho, the first two-legged being that walked the new earth teamed up with his brother Ma'iingan the wolf. Together, they walked the Earth naming all  the other creatures on the planet. Then, as she started to dream backward in time, she saw to her horror how the earth shifted, bringing chaos to the world, and how the Wiindigoog (Cannibal Spirits of Winter) volunteered to bring back order. Straight through the void of space from the stars they came, ⁴ moving through the earth to stabilize the tumbling, holding the Earth's poles constant. She witnessed how they were gifted the gift of ice for holding the actual poles of the earth! This event marked the creation of biboon (winter) and the beginning of the Anishinaabe calendar, and from that moment on the cycle of the seasons started at the full moon when the sucker fish spawn...⁵

Fatigued from all these impressions, but reassured the world that she had helped to revive had regained its balance, Ozaawi'anang closed her eyes. After a long slumber - which transported her into another time frame - a light from the east drew her attention! Looking into the direction of the light she saw how six Mystery Beings emerged from the water of the Ocean, bringing the Anishinaabeg the Seven Teachings along with a vast system of clanship - which exists until today! - and she saw how Elder Brother Wenabozho gave the Anishinaabeg the gift of fire and of Medicine - teaching them  chants and medicines and rituals for warding off sickness and death - and how he taught them to build Medicine Lodges. Next, she saw how the Grandfather water drum was lowered from the Madoodiswan (Sweat Lodge constellation) and gifted to the People and how a bear spirit descended from the Sun to bring the People the Little Boy Water Drum! She witnessed, in yet another frame of time, how three old men came together to light a fire, thus establishing a political and spiritual bond of brotherhood between Anishinaabe tribes - a sacred alliance that is upheld and honored up until this day! Then, hoowah! she even saw how, in yet another era, beneath her, in the Bay of Thunder, Elder Brother Wenabozho turned to stone overnight! With fire stirring in her heart and loins, she visited him again to make love to him before she returned to the star world....haw sa, In her dream, she saw many, many sacred things and events. Things and events that even nowadays are being reminisced on through the aadizookaanan, the sacred stories that the Elder Persons tell the young during long winter nights...

Next, after witnessing all those many sacred things and events, Ozaawi'anang, still dreaming,, knowing her purpose and nature were finally fulfilled, ascended back through the hole in the sky. She had been dreaming for such a long time that she had turned from a young woman into Nookomis, a grandmother! This is when she changed her name in Wezaawi Giizhigookwe, Yellow Sky Woman....From then on, she watched over her children, the Anishinaabeg, by night; by day the Sun and the Earthmother took care of them...

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Part 3: The Reflection

Ozaawi'anang woke up, finding herself on top of the bluff overlooking the Land where the Waters Divide. She smiled, understanding that what had happened in it actually happened a great many strings of lives ago, when the earth was still young…Closing her eyes she reminisced on her sacred union with the Sleeping Giant in the faraway Bay of Thunder...She looked up at the moon grandmother in the night sky, and she saw a reflection of many faces on her silver surface. They were the faces of her People, the Anishinaabeh…Life is good, she thought by herself. She smiled again.

Even today, thanks to Ozaawi'anang’s dream vision, Grandmother Moon’s existence, her gift of life, and the primacy of women are still remembered by our People each time Dibik-giizis, the Night Sun shines on our precious island-home…

Ahaaw, miigwech gibizindaw noongom mii dash gidaadizookoon. Well, thank you for listening to my storytelling today. Giga-waabamin wayiiba, I hope to see you again soon...

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FOOTNOTES:


¹ The story is loosely based on 
The Amazing Legend of Yellow Star and the Sleeping Giant by Zhaawano Giizhik.

² Bkejwanong, present-day Walpole Island, Southeastern Ontario

³ Source: Basil Johnston, Ojibway Ceremonies, pp 85, 86. McClelland & Stewart, 28 Jan 2011.

⁴ Wiindigoo, a cannibal winter monster from the North, does not only live in the below-world; old Anishinaabe star stories relate of a celestial being with the same name that lies in ambush along the Jiibay-miikana (Milky Way) to snatch those unprepared for the celestial journey. Wiindigoo, which is part of the Gaa-biboonikaan (Bringer of Winter, Orion) winter constellation, is called alpha Orionis, or Betelgeuse, on Western star maps. Click here for more reading.

⁵ The full moon in the month of January.

lustrations:


From top to bottom:

Nookomis Dibewagendamowin ("Moon's Reflection") - © 2022 Zhaawano Giizhik. 

Giizhigookwe Izhinamowin ("Sky Woman's Vision") - © 2022 Zhaawano Giizhik. 

"Spirit Bear Meets the Twind Halfway the Cedar Tree" © 2023 Zhaawano Giizhik

"Wiindigoo and the Creation of the Ice Poles" © 2023 Zhaawano Giizhik. 

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Author and artist Zhaawano Giizhik (Tammo Geertsema) at Mishipicoten Bay

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About the author/artist and his inspiration

Zhaawano Giizhik , an American currently living in the Netherlands, was born in 1959 in North Carolina, USA. Zhaawano has Anishinaabe blood running through his veins; the doodem of his ancestors from Baawitigong (Sault Ste. Marie, Upper Michigan) is Waabizheshi, Marten. As a writer and a (non-commercial) artist and  jewelry designer, Zhaawano draws on the oral and pictorial traditions of his ancestors. For this he calls on his manidoo-minjimandamowin, or 'Spirit Memory'; which means he tries to remember the knowledge and the lessons of his ancestors. In doing so he sometimes works together with kindred artists.

To Zhaawano's ancestors the MAZINAAJIMOWIN or ‘pictorial spirit writings’ - which are rich with symbolism and have been painted throughout history on rocks and etched on other sacred items such as copper and slate, birch bark and animal hide - were a form of spiritual as well as educational communication that gave structure and meaning to the cosmos that they felt they were an integral part of. 

Many of these sacred pictographs or petroforms – some of which are many, many  generations old - hide in sacred locations where the manidoog (spirits) reside, particularly in those mystic places near the lake's coastlines where the sky, the earth, the water, the underground and the underwater meet.

The way Zhaawano understands it, it is in these sacred places invisible to the ordinary, waking eye that his design and storyteller's inspiration originate from.