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Friday, October 14, 2022

Teachings of the Eagle Feather, Part 14: Dawn of the Three Fires

 

"Dawn of the Three Fires"


Binaakwe-giizis (Falling Leaves Moon) (October 14, 2022)

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Dawn of the Three Fires Art print by Zhaawano Giizhik

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Prophecy of the Seven Fires

"Our forefathers, many strings of lives ago, lived on the shores of the Great Salt Water in the east (Waabanakiing, the Dawn Land). Here it was, that while congregated in a great town, and while they were suffering the ravages of sickness and death, the Great Mystery (Gichi-manidoo), at the intercession of Wenabozho, the Elder Brother and great common uncle of the Ojibwe Anishinaabeg, granted them this rite wherewith life is restored and prolonged. This rite would become known as Midewiwin. Our forefathers moved from the shores of the great water, and (as they followed a prophecy called Seven Fires) proceeded westward (this would become known as the Seven Fires migration journey). The Midewiwin lodge was pulled down and it was not again erected, till our forefathers again took a stand on the shores of the great river near where Mooniyaang (Montreal) now stands. In the course of time, this town was again deserted, and our forefathers still proceeding westward, lit not their fires till they reached the shores of Naadowewi-gichigami (Lake Huron), where again the rites of the Midewiwin were practiced. Again these rites were forgotten, and the Midewiwin lodge was not built till the Ojibweg found themselves congregated at Baawiting, an outlet of Ojibwewi-gichigami (Lake Superior), where they remained for many winters. Still the Ojibweg moved westward, and for the last time the Midewiwin lodge was erected on  Mooningwanekaaning (Madeline Island), and here, long before the pale face appeared among them, it was practiced in its purest and most original form. Many of our fathers lived the full term of life granted to mankind by the Great Mystery, and the forms of many old people were mingled with each rising generation. This, my grandson, is the meaning of the words you did not understand; they have been repeated to us by our fathers for many generations.” 

- A free rendering of the original text by William W. Warren, History of the Ojibways, 185


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Three Fires necklace by Zhaawano Giizhik



Niso-bezhigo Ishkode, Bezhigwendaamowin ("Three Fires, One Spirit, One Mind") ,14K gold eagle feather fan pendant.  The pendant serves as a teaching tool and is not for sale.

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The History and Spirituality of My People

Boozhooaaniin, hello,

I am Zhaawano Giizhik, Marten Clan, a writer and a non-commercial jeweler and graphic artist. My writinngs and art are inspired by the oral and pictographic narratives and lessons of my Anishinaabe ancestors - and, by extension, by the works of Anishinaabe en Ininiw (Cree) artists who paint in the contemporary tradition of the Native Woodland School of Art. This blog story is the fourteenth already in a series titled Teachings of The Eagle Feather, featuring my art (jewelry, illustrations) along with works of art by kindred artists. Both my stories and the jewelry/artworks displayed seek to provide an insight into the old and venerable worldview of the Anishinaabe Peoples. 

Today's story introduces a gold eagle feather necklace and a bolo tie designed and handcrafted by me. Also, three line-drawing illustrations serve as illustration for the story. 


The jewelry and the paintings refer to an important historical milestone in Anishinaabe history (the founding of the Three Fires Confederacy) and also carry symbols of Anishinaabe spirituality pertaining to a sacred set of guidelines, often called Seven Grandfather Teachings. These Nizhwaaswi Gagiikwewinan, which are considered a part of Gichi-dibaakoniwewin, the Great Binding Law of the Great Mystery, became the foundation of Midewiwin spiritual practice as we know it today.

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"Sky Healer," line art drawing by Zhaawano Giizhik.



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An Origin Story of the Midewiwin

19th century Misi-zaaga'iganiing (Mille Lacs) ogimaa (chief) Bayezhig related the story of Gwiiwizensish wedizhichigewinid: Deeds of a little boy, a traditional origin story of the Anishinaabeg and their Midewiwin Society, as follows:

"In the beginning, GICHI-MANIDOO made the MIDE MANIDOOG (Mide Spirits). He first created two men, and two women; but they had no power of thought or reason. Then GICHI-MANIDOO made them rational beings. He took them in his hands so that they should multiply; he paired them, and from this sprung the ANISHINAABEG. When there were people he placed them upon the earth, but he soon observed that they were subject to sickness, misery, and death, and that unless he provided them with the Sacred Medicine they would soon become extinct.

Between the position occupied by GICHI-MANIDOO and the earth were four lesser manidoog with whom GICHI-MANIDOO decided to commune, and to impart to them the mysteries by which the Anishinaabeg could be benefited. So he first spoke to a manidoo and told him all he had to say, who in turn communicated the same information to the next, and he in turn to next, who also communed with the next. They all met in council and determined to call in the four wind manidoog. After consulting as to what would be best for the comfort and welfare of the Anishinaabeg, these manidoog agreed to ask GICHI-MANIDOO to communicate the Mystery of the Sacred Medicine to the people.

GICHI-MANIDOO then went to GIIZIS the Sun Spirit and asked him to go to the earth and instruct the people as had been decided upon by the council. GIIZIS, in the form of a gwiiwizensish (little boy), went to the earth and lived with a woman who had a little boy of her own. This family went away in the autumn to hunt, and during the winter this woman’s son died. The parents were so much distressed that they decided to return to the village and bury the body there; so they made preparations to return, and as they traveled along, they would each evening erect several poles upon which the body was placed to prevent the wild beasts from devouring it. When the dead boy was thus hanging upon the poles, the adopted child—who was the Sun Spirit—would play about the camp and amuse himself, and finally told his adopted father he pitied him, and his mother, for their sorrow. The adopted son said he could bring his dead brother to life, whereupon the parents expressed great surprise and desired to know how that could be accomplished.

The adopted boy then had the party hasten to the village, when he said, “Get the women to make a wiigiwaam (lodge) of bark, put the dead boy in a covering of wiigwaas (birch bark) and place the body on the ground in the middle of the wiigiwaam.”

On the next morning after this had been done, the family and friends went into this lodge and seated themselves around the corpse. When they had all been sitting quietly for some time, they saw through the doorway the approach of a bear, which gradually came towards the wiigiwaam, entered it, and placed itself before the dead body and said, “ho, ho, ho, ho,” when he passed around it towards the left side, with a trembling motion, and as he did so, the body began quivering, and the quivering increased as the bear continued until he had passed around four times, when the body came to life again and stood up. Then the bear called to the father, who was sitting in the distant right-hand corner of the wiigiwaam, and addressed to him the following words:

Noos gaawiin anishinaabewisii, ayaawiyaan manidoo ningwizis.
Bi-mayaa-miniik niiji-manidoo mayaa zhigwa ji-gi-aawiyan.
Noose, zhigwa asemaa ji-atooyeg. E-mikondem mii eta
aabiding ji-gashkitood wenji-bimaadizid omaa agaawaa
bimaadizid mii omaa; niijii-manidoo mayaa zhigwa ji-giiweyaan.

(“My father is not a human. I, a son, am a Spirit.
Just as - my fellow Spirit - you now are.
Father! Now, you shall put out tobacco. Recalling that he could do this
only once in order to barely live here, thus he lived here;
my fellow Spirit, so now, I must go home.”)

The little bear boy was the one who did this. He then remained among the Anishinaabeg and taught them the mysteries of the Midewiwin; and, after he had finished, he told his adopted father that as his mission had been fulfilled, he was to return to his kindred manidoog, for the Anishinaabeg would have no need to fear sickness as they now possessed the Midewiwin which would enable them to live. He also said that his spirit could bring a body to life but once, and he would now return to Giizis (the sun) from which they would feel his influence.”


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Establishment of the Three Fires Confederacy

The THREE FIRES CONFEDERACY, also known as the THREE FIRES COUNCIL, is a longstanding political and military alliance of the Anishinaabe peoples. As recorded in the sacred birch bark scrolls of the Midewiwin, approximately 1200 summers ago, after reaching the southern shores of Miishii'iganiing (the Michigan lakes) and Mishigamiing (Lake Michigan) during their westward migration from the shores of the Great Salt Water in the east (Waabanakiing, the Dawn Land), the Waabanakiig Nation—or, as they began to call themselves, Anishinaabeg or Spontaneous People—became disoriented, and their once strong sense of unity fragmented, leading to a division into northern and southern branches. The core Anishinaabe peoples, part of the southern branch, migrated from their "Third Stopping Place" near what is now Detroit to their "Fourth Stopping Place" on Manitoulin Island, along the eastern shores of Georgian Bay.

The Sacred Scrolls of the Midewiwin identify Michilimackinac (Mackinac Island; Place of the Big Snapping Turtle) as the revered site where, around 800 CE, the Niswii-mishkodewin Confederacy (Council of Three Fires) was established and where the Three Brothers pledged to collaborate, each assuming a specific role. The Ojibweg, known as the Faith Keepers, collected wild rice and heavy winter furs; the Odaawaag, known as the Trader People, transported these to the Bodwewaadamiig, the Hearth Tenders in the south, in exchange for corn, beans, and squash, which they then brought back north. Occasionally, a fourth group, the Misi-zaagiwininiwag or Mississauga, is recognized but they are typically included with the Ojibweg. All three/four Nations settled in various regions around the Great Lakes, in what is now Michigan State and Ontario. It is said that for a millennium, the Three/Four Brothers collaborated and celebrated during the annual fish harvest at Baawitigong, now known as the twin cities of Sault Ste. Marie, located at the border between Michigan and Ontario.

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Chief Pontiac bolo tie

Mishinigig Ogimaa ("Mighty Otter Chief"). This bolo tie, made from sterling silver and 14K gold, includes a black leather lanyard and is intended as an educational tool, not for sale. It honors Ogimaa Oboonidyaak (Nowadays known by most as "Chief Pontiac"). The three silver eagle tail feathers in Pontiac's scalplock signify the political and military strength of the Three Fires. The mother-of-pearl ermine tails at the back of Pontiac's head represent the Nations of the Confederacy: the Ojibweg, the Odaawaag, and the Bodéwadmik. The smaller tail depicts the Misi-Zaagiwininiwag (Mississauga). The combination of silver eagle feathers and gold bear paws in the headdress represents the height of spiritual and military power. The red coral "blood drops" symbolize the eight Zhaaganaash (British) forts destroyed by Pontiac's allied forces in 1763. The stylized gold otter design on the side of Pontiac's head signifies his doodem or clan and his extraordinary fighting spirit. Lastly, the two eagle wing feathers on the silver and gold tips symbolize the friendship and cooperation between the Anishinaabe Nations and the Nation of the Ondowahgah Haudenosaunee, represented by their main war leaders, Pontiac and Guyasuta. Jewelry and photography by ZhaawanArt.

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Military and Political Goals of the Three Fires Council

While the Niswii-mishkodewin had multiple meeting locations, Michilimackinac (an island situated between Lake Huron and Lake Michigan) emerged as the favored site due to its central position. From this island, the Council convened for military and political reasons and sustained relations with fellow Anishinaabeg groups such as the Mamaceqtaw (Menominee), the Asakiwaki (Sac), and the Meskwakihaki (Fox), along with various other Nations including the Haudenosaunee, the Dakota, the Wyandot, the Ho-Chunk (Winnebago), and later in history, the Wemitigoozhiwag (France), the Zhaaganaashiwag (England), and eventually the Gichi-mookomaanag (the United States).

While the Council aimed to maintain power balance within the Anishinaabe communities and ensure peaceful relations with neighboring Nations, unresolved conflicts often led to wars, especially with their fiercest adversaries, the Kanien’kehaka (Mohawk) and Onyota’a:ka (Oneida) of the Haudenosaunee/Six Nations Confederacy, who persistently threatened them from the east, as well as the Dakota, the Ho-Chunk, and the Meskwakihaki, longstanding enemies from the south.

During the French and Indian War and Pontiac's War, the Council opposed the Zhaagaanaashiwag; and during the Northwest Indian War and the War of 1812, they fought against the Gichi-mookomaanag (in the latter conflict, they played a significant role in Tecumseh's Confederacy). Following the establishment of the United States of America in 1776, the Council became a central member of the Western Lakes Confederacy (also known as the "Great Lakes Confederacy"), joining forces with groups such as the Nii'inaawi-Naadaweg, the Omàmiwininiwak, the Odishkwaagamiig, the Ozaagiiwag, and the Meskwakihaki.

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Midewigaan, painting by Zhaawano Giizhik

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An Ongoing Story of Brotherhood and Reawakening

The Three Fires Council remains vibrant today, both politically and spiritually. The Three Fires Midewiwin Lodge, a modern extension of the Midewiwin Society, draws inspiration from the historic Three Fires Confederacy. It serves as a movement focused on the spiritual revival, preservation, and enhancement of the original Teachings, Rituals, Ceremonies, and Prophecies of the Anishinaabeg, all rooted in the Midewiwin, the Original, Historic Anishinaabe Lodge of the Good Hearted Ones, which originated in the ancient Dawn Land. The ceremonies are held in a sacred place known as the Mide-wiigaan or Midewiwin Lodge (see the above illustration). The Mide-wiigaan, a gift from the kind spirit/human Wenabozho to the Anishinaabeg, is typically an elongated framed structure made of maple saplings with openings at the eastern and western ends.

> To read more about the origin of the Three Fires, see: Teachings of the Eagle Feather, part 24.

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Paintings, top to bottom:

"Dawn of the Three Fires"  NFT 2022 Zhaawano Giizhik

"Sky Healer" ©2022 Zhaawano Giizhik

"Living the Mashkikiikewin Life" ©2022 Zhaawano Giizhik


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Author and artist Zhaawano Giizhik (Tammo Geertsema) at Mishipicoten Bay

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About the author/artist and his inspiration

Zhaawano Giizhik , an American currently living in the Netherlands, was born in 1959 in North Carolina, USA. Zhaawano has Anishinaabe blood running through his veins; the doodem of his ancestors from Baawitigong (Sault Ste. Marie, Upper Michigan) is Waabizheshi, Marten. As a writer and a (non-commercial) artist and  jewelry designer, Zhaawano draws on the oral and pictorial traditions of his ancestors. For this he calls on his manidoo-minjimandamowin, or 'Spirit Memory'; which means he tries to remember the knowledge and the lessons of his ancestors. In doing so he sometimes works together with kindred artists.

To Zhaawano's ancestors the MAZINAAJIMOWIN or ‘pictorial spirit writings’ - which are rich with symbolism and have been painted throughout history on rocks and etched on other sacred items such as copper and slate, birch bark and animal hide - were a form of spiritual as well as educational communication that gave structure and meaning to the cosmos that they felt they were an integral part of. 

Many of these sacred pictographs or petroforms – some of which are many, many  generations old - hide in sacred locations where the manidoog (spirits) reside, particularly in those mystic places near the lake's coastlines where the sky, the earth, the water, the underground and the underwater meet.

The way Zhaawano understands it, it is in these sacred places invisible to the ordinary, waking eye that his design and storyteller's inspiration originate from.


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